Isabel María Andrés Cuevas Killing Me Softly with her Fangs: The Role of Female Victimage and Cannibalism in The Voyage Out |
7-27 |
M. Pilar Baines Alarcos |
29-43 |
Malika Bouhadiba |
45-54 |
Concha Castillo |
55-84 |
Izaskun Elorza A Cross-Cultural Analysis of Popularizations in English and Spanish Newspaper Discourse |
85-109 |
David Fernández Vítores |
111-137 |
Eva María Gómez Jiménez |
139-160 |
Marta Miquel-Baldellou |
161-185 |
Leticia Pérez Alonso |
187-201 |
Agustín Reyes Torres What Lies Beneath: African American Culture at the Bottom of Every Case |
203-221 |
Gerardo Rodríguez Salas No More Lullabies for Foolish Virgins: Angela Carter and «The Erl-King» |
223-231 |
María Jesús Sánchez Manzano, Carmen Diego Amado, Ana Alonso Alonso Podcasts. Recurso didáctico de mejora en la comprensión oral de la lengua inglesa |
233-246 |
María Pilar Sánchez Calle Writing the Saddest Chronicle: Ford Madox Ford’s The Good Soldier |
247-262 |
Margarita Esther Sánchez Cuervo |
263-286 |
Susana Nicolás Román |
287-292 |
Juani Guerra |
293-298 |
Rosana Herrero Martín Book review: Enda Walsh. The Walworth Farce & the New Electric Ballroom (2009) |
299-304 |
Leonor Pérez Ruiz |
305-308 |
David Walton |
309-316 |