|
Pilar Abad García
Hopkins the Victorian-Postmodern/ist: His Manipulation of Genre
|
7-16 |
|
Enrique Cámara Arenas
Words and Things: Tony Harrison’s Poetry Stage
|
17-28 |
|
Maria José Coperías Aguilar
We Can Devise a Thousand Honest Ways of Making a Livelihood
|
29-40 |
|
Jose Francisco Fernández Sánchez
The Mystery of the Novel with a British and an American Ending
|
41-52 |
|
Jose Ramón Fernández Suárez
El color del agua
|
53-70 |
|
Laura Filardo Llamas & Elena González-Cascos Jiménez
Filling the Label: Estuary English as a New Form of Pronunciation
|
71-84 |
|
Raquel Fuentes Martínez
Elementos subversivos en The Bloody Chamber de Angela Carter: Estudio comparativo con las versiones tradicionales de Barba Azul de Charles Perrault y los hermanos Grimm
|
85-103 |
|
Jose María García Ñunez
Semantic Constraints on the Distribution of English Higher Adverbs
|
103-122 |
|
Marta Mª Gutiérrez Rodríguez
The Problem of the Translation of Proper Names in Harry Potter and The Lord of the Rings
|
123-136 |
|
Ayo Kehinde
A World of Alienation and Pain: An Existentialist Reading of Graham Greene’s Novels
|
137-152 |
|
Pedro Martín Martín
Genre and Discourse Community
|
153-166 |
|
Alicia Martínez Flor
An Analysis of Request Production by University and Secondary School EFL Students
|
167-182 |
|
Leonor Pérez Ruiz & Carmen Santamaría Molinero
Benefits of Using Authentic Materials in an EST Class
|
183-192 |
|
David Río Raigadas
Cormac McCarthy’s Borderlands: A Challenge to a Mythic Construct of the American West
|
193-202 |
|
Santiago Rodríguez Guerrero-Strachan
Salman Rushdie y Severo Sarduy: Convergencias estéticas
|
203-210 |
|
Mª Teresa Vázquez de Prada
La presencia del Quijote en Little Dorrit
|
211-228 |
